Julia Roberts – Eat, Pray, Love

The success of Eat Pray Love in the US has spawned a spate of tour packages for India enthusiasts

After Danny Boyle’s Slumdog Millionaire made slum tourism in Mumbai’s Dharavi hip, it’s now the Julia Roberts-Javier Bardem-starrer Eat Pray Love (released in the US on August 13 and yet to release in India on October 8) which is doing its bit for Indian tourism. The film, an adaptation of Elizabeth Gilbert’s best selling memoir by the same name, tells the story of a woman who seemingly has everything in life, yet willingly relinquishes it for spiritual salvation. The author’s 21-day journey of self-discovery takes her across the world — she regains the true pleasures of eating in Italy, unearths the power of spiritual healing in India, and finally ends her search of love in Bali.


“It’s believed that the book’s protagonist stayed at Gurudev Siddha Peeth at Ganeshpuri in Maharashtra. Since they do not welcome casual visitors, we have devised similar packages for the intrepid traveller,” says Rajesh Khanna of Abercrombie and Kent, India. This US-based travel agency is offering a 14-day tour, packing in visits to Khajuraho’s temples, witnessing the aarti on the Varanasi ghats, viewing the Taj Mahal at sunrise and sunset among other activities at $ 8,685 per person.

via YouTube – ‘Eat, Pray, Love’ Trailer HD.

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Tilda Swinton – I Am Love

I Am Love is an operatic, Visconti-esque drama in which an ailing Milanese paterfamilias passes on the family business to his son and grandson, to the discomfort of his wife (played by Tilda Swinton), and their other two children.

Swinton learned both Italian and Russian for the part. The film also features the first film score by John Adams, the composer of such acclaimed operas as Nixon in China and The Death of Klinghoffer.

What do you make of the poster and the trailer below? Shades of Douglas Sirk? Or something of a sensual overload?

I Am Love (Io Sono L’Amore)

Production year: 2009

Country: Italy

Cert (UK): 15

Runtime: 120 mins

Directors: Luca Guadagnino

Cast: Alba Rohrwacher, Diane Fleri, Edoardo Gabbriellini, Flavio Parenti, Marisa Berenson, Pippo Delbono, Tilda Swinton

More on this film: Tilda Swinton in I Am Love: exclusive trailer and poster | Film | guardian.co.uk.

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Phoenix Rising !!

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The Relativity of Ryan Kavanaugh

At 35, the brash, glamour-loving Ryan Kavanaugh has become one of Hollywood’s most powerful players, his Relativity Media claiming $2 billion in revenues in 2009. His secret? Money–lots of it–plus a risk-assessment algorithm that Kavanaugh says takes a lot of the mystery out of the movie business.

Late last November, an array of movie-industry executives and talent gathered at the School of Visual Arts, in Chelsea, for the New York City premiere of Jim Sheridan’sBrothers. In addition to the film’s snowy-haired director, the audience included its co-stars Tobey Maguire and Natalie Portman; the president and chief operating officer of Universal Studios, Ron Meyer; Lionsgate C.E.O. Jon Feltheimer; Lionsgate Motion Picture Group president Joe Drake; Harvey Weinstein, of the Weinstein Company; and Relativity Media founder and C.E.O. Ryan Kavanaugh. Among that group, Kavanaugh, only days away from turning 35, was a relative newcomer to the business. And yet, as one of the film’s producers, he was the center of attention, introducing the picture and then posing for photos at the party that followed. Two days earlier, he had similarly been the focus of aDaily Variety advertorial section of close to 30 pages entitled “Billion-Dollar Producer,” which included fawning testimonials and full-page ads from many of the same companies that had executives in attendance at the New York fête for Brothers. (“The Weinstein Company Proudly Congratulates Producer Extraordinaire, Partner, and Great Friend Ryan Kavanaugh.”) At the premiere, with his freckled, Conan O’Brien–pale complexion, a shock of red hair that makes him look like the French comic-book hero Tintin, and a wardrobe that recalled the late-70s New Wave band the Knack—skinny tie, dark suit, and blue Converse sneakers—Kavanaugh did not exude the shark-like intensity and sleekness of the other industry executives circling him, and yet the effusive praise that these same men had (for a fee) heaped upon him in Daily Variety sent the distinct message that they saw him as the future and salvation of Hollywood.

Read the entire article: Frank DiGiacomo on Ryan Kavanaugh | Vanity Fair..



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Gwyneth Paltrow – Muse 21

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Anna Mouglalis – Muse 21

Anna Mouglalis is an accomplished actress renowned for her turn as Simone de Beauvoir in Les Amants du Flore and for being the face of Chanel’s luxury jewellery range. She brings something of the existential outsider to her portrayal of Coco Chanel in the startlingly dark art-house biopic Coco Chanel & Igor Stravinsky: a tale of passion, power and sexual obsession that could not be further in mood from its linear predecessor Coco Before Chanel. Here, Mouglalis talks to John-Paul Pryor about taking on the role of fashion’s most-loved rebel, and what initially attracted Chanel to the avante-garde composer at the riot-inducing Paris debut of The Rite of Spring.

Anna Mouglalis: At the performance, Chanel is seduced by the taste of scandal, because it’s exactly what she was doing, too – she was provoking some sort of scandal in the way that she dressed, and she loved it. I mean, nobody was dressed in black unless they were in mourning, and she was not allowed to be in mourning for her lover, which was a part of her scandal too: she wanted the whole world to be in mourning for him. She was thinking about freeing the movement of women and the choreography of the performance was all about free bodies: it was scandalous, so sexual. And the music was a trance, it was so free, it was outside of all the conventions. It was exactly what she was searching for… They were both outsiders and they were taken by something that was greater than themselves that allowed them to dive; that was the only thing they were searching for, to dive into something.

I have been working for Chanel for eight years now, so in an unconscious way I have been gathering information – I was not expecting that one day somebody would offer me the chance to embody Chanel. She had great humour but she’s a very dark character. There were things even in this movie we couldn’t show. We represent the moment of her death and there are a few anecdotes – she died on a Sunday because she had such a respect for work, and so on – but actually, she had a problem with her wrist and had started to take morphine for the pain. She was doing heroin every day and she died because an air bubble went to her heart. I thought that would have been great to show because she died in the 70s and it was the great period of rock’n’roll and heroin. It would have been interesting to show that the woman who is now considered as the old conservative is just like a punk.


What was funny about her relationship with Stravinsky is the battle for power: when he says to her that she’s just a shopkeeper, she answers that she’s more powerful than he is, and that she’s more famous. It’s true. She will always be more famous than him. It’s not even a fight about who’s the best artist because she’s not even an artist – she’s an artisan who creates and sells clothes to be free – but she’s better known. The movie would have never existed if it was The Life of Igor Stravinsky, nobody would have put money on it, nobody, nobody… ever.


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Jolie Illustrated

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Angelina Jolie is Smokin Hot

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Diane Kruger is a Polyglot

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Halle Berry – Biker Cool

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